17/02/2016

Live Review: Hinds @ Norwich Arts Centre

Words originally for Outline Magazine
L-R: Ana Perrote, Carlotta Cosials, Amber Grimbergen, Ade Martin
Norwich in winter is hardly the most enchanting of places, despite what the locals may say. As brisk winds nip at the ankles of passing hipsters, the last thing you’d expect to hear in the air is floaty, international, lo-fi rock. But that’s just what a rowdy, sold-out crowd at Norwich Arts Centre received in a hearty dosage, courtesy of continental girl squad Hinds and their metropolitan cousins, Public Access TV.

Unusually, a barrier has been erected and the hall is almost at full capacity already, adding to the buzz in the smoky room when the charming PATV arrive to rock the stage. Their Manhattan accents ooze cool, blending into their groovy tunes smoothly. Tracks like On Location and In Love and Alone spark movement in the thirsty audience and their half-hour set flies by in the blink of an eye. Their debut album is slated for an autumn release, so expect more from these retro city boys soon.

Hinds walk out to raucous applause, and there’s carnage from the first second. Before they’ve even picked up their instruments, the audience is singing a haphazard rendition of the Jurassic Park theme tune, an early bid for attention from guitarist Ana Perrote, who wears the saga’s logo on her t-shirt. The four-piece grin, clearly surprised by their warm welcome, before lunging into a moody version of Warning with the Curling. The sound they produce – for a band who have only just released their debut LP – is astonishing, and it’s immediately clear just why this band have spurred hype on both sides of the Atlantic. Drummer Amber Grimbergen’s powerful beats catch the ear initially, her band mates’ sun soaked guitar riffs blissfully joining the dots to create a wall of unforgiving garage-rock fun.

“It’s only Tuesday! I want to know what all Tuesdays are like here”, frontwoman Carlotta Cosials chirps. “Tequila Tuesdays? If you’re ready for tequila you’re ready for this”, she smirks, building the hype back up for the anthemic Trippy Gum.

A selection of cuts from Leave Me Alone (the band’s new album) follows. Fat Calmed Kiddos and Warts see mosh pits break out, as well as one overexcited punter jumping the barrier to join the band on stage. They seem delighted, unlike security, who swiftly pull him down, a move sourly received by both those on stage and off. “We forgot to say”, Cosials interjects, “We don’t mind! Is he still inside?” He is. Everything’s cool.

As singles bring up the tail end of the set, namely the dusky, infectious San Diego and Garden, the energy between artist and audience boils over the mixing pot of sweat and hormones that is Norwich Arts Centre. Cosials throws herself into the crowd as the rest of the band look on in glee, before returning to the stage and bringing half of the room with her. The duration of Castigadas en el Granero sees added security throw up a hissy fit as hyperactive teenagers clamber on stage, ending the night in a chaotic but hilarious mess of flailing limbs and cheers.

So, if we’re honest, Hinds are probably on NAC’s blacklist from now on. Not that that matters. Tonight points to one conclusion and one conclusion only: Hinds are Mediterranean megastars in the making, a rabble of riot-inducing wonder-girls with the tunes, the characters and the live show to go all the way on to huge places.  


Hinds' debut album Leave Me Alone is out now.

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