Words originally for Outline Magazine
Label: Dirty HitRelease Date: February 26th, 2016
London pretentio-ponces The 1975 are undoubtedly one of the most
prolific bands of this generation, having developed a cult following since their
2013 breakthrough. On this, their second album, pop culture and self-obsession are
sucked through a neon pink wormhole of hairspray and subtext, to mixed results.
Technically, it’s a cornucopia of audio titbits. The singles – Bowie evocative Love Me, bubble-gum techno-samba UGH! and honkytonk powerhouse The Sound – represent just one aspect of
I like it when you sleep… Elsewhere,
Matty Healey and co. explore more ambient manoeuvres, like on Please Be Naked, reminiscent of their early
EPs. There’s also acoustic downtime towards the end on emotive closer She Lays Down. The uniting factor throughout
this record is Healey’s devotion to intricacy. His lyrics overflow with hints
and references to not only the first album but also his development as a person,
a topic closely scrutinized by countless devotees online. Messages of solidarity
and acceptance bubble up through the glittery murk in ways that only true fans will
recognise, and the bouncy, capricious character on top stands religiously as a figure
encompassed in the vicious world of celebrity. Simply put, few albums quite so
fantastically balance the realms of pompous controversy and downright musical brilliance.
7/10
The 1975 Facebook
The 1975 Twitter
Official Website
7/10
The 1975 Facebook
The 1975 Twitter
Official Website
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