29/01/2016

In Photos: Lucy Rose @ OPEN, Norwich

Photos originally for Outline Magazine
All photos and more in high resolution here.

SWAMPMOTHER & SIVU




























LUCY ROSE





27/01/2016

Album Review: Animal Collective - 'Painting With'

Words originally for Outline Magazine
Release Date: February 19th, 2016
Label: Domino 

I don’t think anyone really knows what goes into an Animal Collective record, but if their newest LP Painting With is anything to go by, barbershop quartets, dinosaur noises and hallucinogenics are probably a good guess. From the bouncy campfire anthem FloriDada to the comedic psych-pop Golden Gal, Painting With is a trip down the rabbit hole, a ludicrous adventure filled with fuzzes, buzzes and other nuggets of aural nonsense. The Burglars stands out as the lull of the record, mixing downbeat synthesizers with trippy percussion loops, as does On Delay, the cleanest sounding song of the album. Spilling Guts packs a punch with its upbeat pop spikes, not wholly different from the likes of MGMT and almost surely inspired by Frankie Knuckles. Closing the madness Recycling throbs and globs like a chemical reaction gone wrong, before fading out amongst twinkles and other shimmery delights. On the whole, it’s not clear what the message of this record is. You can’t really dance or sing along to it either. But if eccentricity is what you’re into then I can tell you for sure that Painting With is the one for you.


7/10


Animal Collective Facebook

Animal Collective Twitter
Official Website

20/01/2016

Live Review: DIY 'Hello 2016' @ The Old Blue Last, London

Words originally for Vapour Trail Blog
All photos and more in high resolution here.
Could there be any better way to spend my inaugural visit to east London’s most infamous back room – the Old Blue Last – than in the company of some of the hottest new musical talent, tipped for big things this year by the indie powers that be DIY Magazine? No, quite frankly. Getting a feel for the dark corridors before doors opened, the night looked set to be an occasion to behold, and with four fantastic new artists on the bill, it certainly was just that.
Fish live at The Old Blue Last
Kicking off the show was London’s own teen grungers Fish, whose twinkly garage-rock tunes seeped out into the rapidly filling room like smoke. Frontwoman Asha’s vocals were sinister but mesmerising, a siren call dancing over a chunky bassline, not hugely different from the likes of Bully or a juvenile Wolf Alice. Brattish smirks and the odd tongue poke flaunted the four-piece’s infectious charisma, and ending the set with screams of joy and Strokesy guitar riffs, it was all smiles from the get-go both onstage and off.
Girli live at The Old Blue Last
Irrefutably the highlight of the show, Girli came next on the bill. Her iconic pink dress code and unapologetically pure pop songs have been splashed across ones-to-watch lists since the end of last year, and anticipation in the Old Blue Last was pushed to breaking point when she finally swaggered up to the mic. From the first note of the 8-bit symphony ‘Girls Get Angry Too’, the room was a riot, snarky quips about feminism and teen sexuality spewing out forcefully over a pounding hip-hop beat. ‘ASBOys’ played out like a call to arms for the wasted youth of London with its siren-laden verses, and new material like ‘Girl I Met On the Internet’, an ode to the plastic princess of Instagram, mixed laugh-out-loud lyrics with video game sound effects to create what could easily become the most unlikely indie anthem of the year. ‘Fuck Right Back Off to L.A.’ (from the ‘Girli FM’ mixtape) also got a play, a true site to behold, as Girli and her partner in rhyme DJ Kitty flipped the bird in synchronised choreography over the infectious “fuck you”-s of the chorus. Closing on ‘So You Think You Can Fuck With Me Do Ya’ with a stage invasion in full swing, the most energetic and utterly batshit set of the night concluded in a hurricane of tampons, condoms and Hello Kitty chocolates being spewed into the crowd as the storm of pink fury ended no less suddenly than it had begun.
Yonaka live at The Old Blue Last
Assuming the night had peaked there, I headed outside, a decision I immediately regretted when the thunderous sound of Yonaka punched through the walls of the Old Blue Last, grabbing me by the scruff of the neck and dragging me back inside. There I saw frontwoman Theresa Jarvis half rapping, half howling to ‘Run’, the band’s phenomenal lead single, striking a huge bass drum at the same time, and looking like a total fucking bad-ass too. The few songs I managed to catch were infectious and primal, mixing elements of Florence and the Machine’s ethereal ambience, Savages’ aggressive no-nonsense lyrics and Haim’s trademark Cali-cool stage presence. Simply put, Yonaka are one of the best new acts I’ve seen in a long time and you’d be a fool not to check them out on their upcoming headline tour in March.
It was at this point that the train home beckoned its cruel finger, so I didn’t get to see Beach Baby rock the stage at the old bluey. Sad face. Nonetheless, their latest single ‘Sleeperhead’ is an instant earworm and having seen them at Norwich’s Sound & Vision festival last autumn, I can confirm that their live show is just as rampantly fruity as their studio releases. They head out on an extensive UK tour with Sundara Karma next month, a show well worth heading down to if you can.

DIY, it has to be said that you sure know your talent. Ta for a fantastic night of free music and kicking off 2016 with a bang.

DIY’s ‘Hello 2016’ series concludes this Tuesday January 26th at London’s Old Blue Last, with free performances from Pumarosa, Cloud Castle Lake, Babeheaven and Sälen.

Facebook: Fish / Girli / Yonaka / Beach Baby / DIY
Twitter: Fish / Girli / Yonaka / Beach Baby / DIY
Soundcloud: FishGirli / Yonaka / Beach Baby

DIY Official Website

15/01/2016

Album Review: MONEY - 'Suicide Songs'


Words originally for Outline Magazine
Release Date: January 29th, 2016
Label: Bella Union

On their second LP Suicide Songs, airy indie trio MONEY have crafted an ethereal and melancholy diary of the life of a modern 20-something year old. I Am the Lord is a grand and breath-taking opener, evoking images of sweltering eastern landscapes with a wistful familiarity hugely contrasting the group’s humble Manchester origins. You Look Like A Sad Painting on Both Sides of the Sky is both simple and endearing, bringing a mournful and awe-inspiring highlight to the first half of the album. The stripped back title track Suicide Songs layers solemn brass over an acoustic guitar to a more upbeat effect than one would expect, but sticks to the sombre tone of the album on the whole. The influences of Keaton Henson and Bombay Bicycle Club peer through the haze in more ways than one; frontman Jamie Lee’s vocals haunt and entice with an unavoidable twee-ness about them, and the orchestral backing over which he croons sounds sweet despite its enormousness. MONEY are notably risk free in their reluctance to stray too far from the sorrowful façade they shroud themselves in, but Suicide Songs is a strong second album and an obvious stepping stone on the route to creating a masterpiece.


7/10


MONEY Facebook

MONEY Twitter
Official Website

08/01/2016

Interview: The Magic Gang

Words originally for Vapour Trail Blog
L-R: Kristian Smith, Jack Kaye, Paeris Giles, Angus Taylor
Brighton’s quirkiest new four-piece the Magic Gang are finally breaking onto the indie scene after months lying low, releasing sultry singles and playing small but riotous shows up and down the country. Now, with an EP in the shops and a headline tour on the horizon, 2016 looks set to be their year. We had a chat with frontman Jack Kaye about Derren Brown, the secret to happiness and the highs and lows of being in one of the UK’s most exciting new bands.

First off, I was very impressed when I saw you support Wolf Alice last spring. What was it like performing alongside those guys?
Thanks! It was a lot of fun to play those shows. It's always more enjoyable when you're playing to an energetic crowd and all of the Wolf Alice audiences were like that which definitely made it a great tour.

Do you prefer playing headline shows or support slots, and what’s your all time favourite show you’ve ever played?
It's difficult to choose one because they both have their positives. When we play our own headline shows we play for longer which means we can play a wider variation of songs, but supporting other bands means we play to a whole new audience which is exciting. We did a show at Boston Music Rooms in London not long ago, which was one of my favourites for sure.

I find your songs are very distinguishable from other bands that are breaking onto the scene alongside you. Is this something you’ve done intentionally?
That's nice of you to say. It's never really our main priority to write anything that's completely different to everything else around, for us it's more about writing songs that we could imagine ourselves listening to and enjoying.

Has it helped you to be from such an encouraging area, or is there a lot of competition?
It's definitely been encouraging. We live in a house with a group of people who are constantly writing and playing music which really spurs you on to keep doing it yourself. It keeps you on your toes when you hear a huge guitar riff coming from next door!

Are there any things you do as a band that inspire you, besides music?
There are loads of small theatres in Brighton so it's nice to be able to go and watch stuff there. We've never done that as a four but we did have a poetry night a couple of days ago where we gathered around a screen and read Simon Armitage to each other.

Which bands/musicians would people be surprised to find out you listen to? What are your all-time favourite albums?
Kristian loves reggae, which some people might find surprising I suppose. Album wise we like Abbey Road, [Stevie Wonder’s] Songs in the Key of Life, Aja by Steely Dan, Balkans and Avi Buffalo’s self-titled albums and of course What’s the Story Morning Glory?

Your new EP has been described as “making difficult subjects sound blissfully simple”. On that note, what is the true meaning of happiness?
We'll let you know when we find out.

What are the Magic Gang’s favourite magic tricks?
We don't really know any but I tell you what, we watched a Derren Brown show the other night where he tried to make someone push a man off a roof and it was the best thing I’ve ever seen on TV.

As a new band, have you noticed any frustrations or limitations financially?
Of course budgeting is always stressful. We've only toured in the UK so far so I'm sure the worst is yet to come in terms of the financial struggle. Generally it comes down to just balancing things out with merch.

What are your opinions on the on-going Spotify/streaming royalties debate?
It seems like it would make a huge difference for independent artists if all of their plays were accounted for and it's a shame that not everybody can see that. I don't have an in-depth knowledge of how it all works but on a base level it only seems fair that artists should see some of the money that their music is bringing in.

If you could collaborate with any musician, alive or dead, who would you choose?
We'd love to get in the booth with Brian Wilson circa ‘66 on the buttons.

Tell me about Telharmonium Records.
It's a label set up by Mike "Money Mike" Watson who is our manager. We put out our EP on the label, which was cool because it gave us a chance to retain some sense of control, even in just knowing what's going on with the release day-to-day. I'm sure there'll be a lot more to hear from them in future so keep an ear out.

What are your thoughts on a large portion of your fan base being under 18s?
It's not something we've overly thought about but it does mean that we work hard to make sure that as many of our shows as possible are at all-ages venues. It's frustrating to know that some people who want to attend the shows aren't allowed to.

Similarly, how important do you think social media is when it comes to promoting your music?
For a band at our stage it can be vital, especially when it comes to promoting shows, which we've now learnt.

Finally, is there an album in the works, and when can we expect to hear more from the Magic Gang?
The plan is to do a few more releases before we start work on the album. As far as writing goes, I'm sure there is a lot of material we've finished that will make it onto an album when the time comes.

The Magic Gang's self-titled EP is out now. They play London's 100 Club on February 15th,
as part of NME's 2016 Award Shows.

The Magic Gang Facebook

The Magic Gang Twitter
The Magic Gang Soundcloud

Album Review: Coasts - 'Coasts'


Words originally for Outline Magazine
Release Date: January 22nd, 2016
Label: Warner Music

Generally associated with acts like Circa Waves and Wolf Alice, two fantastic indie/alternative acts taking the mainstream by storm lately, I had high hopes for Bristol quintet Coasts’ self titled debut album, out September 25th. In truth the only impressive thing about this band is their sheer naivety in thinking they could record the same song 16 times and pass it off as an album. Manufactured drivel from start to finish, this collection of mundane, X Factor-runner up standard pop trash tries so hard to follow the cult following paths forged by the likes of Chvrches and London Grammar’s early efforts that it ends up screaming overkill, about as cool and desirable as knock-off pre-torn Topshop skinny jeans. Modern Love shows no lyrical consideration whatsoever, “Sunlight, no sound / Seek shade until we touch the ground”, and Tonight is a desperate whine for attention from a band who desperately need to decide whether they want to be DIY enthused rock stars or Radio 1 Z-list mummy’s boys. One redeeming feature is the album’s 80s inspired electro/tropical guitars – see Your Soul and Wallow – but for the most part Coasts is a weak-kneed mess of bland garbage, a disappointing start from a band with decreasingly obvious potential.

01/01/2016

Album Review: Mystery Jets - 'Curve Of the Earth'


Words originally for Outline Magazine
Release Date: January 15th, 2016
Label: EMI

A long decade on since their jaunty debut Making Dens, London’s most underrated indie darlings Mystery Jets have finally come of age. Curve of the Earth sees the five piece return in a refreshing flourish of spacey prog rock, streets away from the classic Americana sound of their 2012 effort Radlands. Telomere kicks off the madness from a dizzying peak, Blaine Harrison’s charming vocals soaring over repetitive scratchy guitars before Bombay Blue brings in a calmer sound, with downbeat acoustic guitars and a catchy and enchanting chorus. Midnight’s Mirror is dystopian and eerie whilst Blood Red Balloon intersects foot-tapping verses with the Jets’ signature choral vocals, clocking in at almost seven minutes but keeping focus until the very end with oozing effects and humming synthesizers. In keeping with the record’s extra-terrestrial ethos, Saturnine rekindles the sense of experiencing some higher force as Harrison recalls some “distant star in two lovers’ eyes” before hypnotic guitar feedback and buzzing keyboards melt away into the sleepy percussion. “Won’t it be strange to see how we change when we’re all grown up? Yes I hope I end up with you”, Harrison croons on The End Up, closing a fantastically effervescent album with the sentimental, delicate touch it deserves.


9/10


Mystery Jets Facebook

Mystery Jets Twitter
Official Website